Showing posts with label Green Day. Show all posts
Showing posts with label Green Day. Show all posts

Monday, 13 July 2009

10 Classic Albums of the 21st Century which you should own: Part One

With 2009 speeding along nicely and a wealth of music having been produced since the Millennium, it's high time we stepped back a minute, past the X-Factor winners, past the endless re-releases, re-masters and greatest hits to appreciate the albums which have really defined the decade, and indeed the century.

Though I've picked out only 10 here, I could suggest dozens more which might be worthy for the list, but the important thing is not the album that's sold the most, but those that put quality over quantity and dare to be different and, dare I utter yet another cliché, break the mould - or is that just a VO5 advert...never mind.

So here they are in their divine splendour. You will definitely have heard of one or two, but really it's the ones you haven't heard of you should pay attention to. Every album here has a combination of bold ideas, impressive musical skill - whether it be technically or pop-hook-crunchingly - and contains songs which have made the awkwardly titled 'noughties' surpass critics expectations for brand new music.

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In no particular order, we begin with a more obvious choice: Green Day's American Idiot.

Now I'm not suggesting it was the best album they've ever produced (that right is reserved for 1,039), but there's no doubt that when it was released back on 2004 it caused a bit of a stir across the music world.

The idea of a 'rock opera' concept album is nothing new, with examples dating back to the 1960s and even earlier, but it had never been done with such flair and enthusiasm, or if it had then people must've conveniently forgotten about it.

Based around the failings of modern America, the album boasts two nine minute tracks and follows the story and issues of a boy, the self-proclaimed 'Jesus of Suburbia', as he leaves what he knows behind on a voyage of self discovery which is vaguely referred to throughout the album.

The video for the rock ballad track Wake Me Up When September Ends offers a little more clarity, portraying the boy as part of a couple who are quickly torn apart when he heads of to war.

Despite not being the Green Day fans were used to, it spawned an entire generation of new fans and saw the group play a two-day stint at Milton Keynes Bowl to a crowd of over 120,000, the biggest of their career.

This album will be talked about in years to come as a standard set for the modern concept album, and since Green Day themselves haven't been able to better it with latest effort 21st Century Breakdown, then it deserves some attention.

Critical tracks: Jesus of Suburbia, Boulevard of Broken Dreams, Holiday

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Next up is a band you almost certainly will never have heard of. Why on Earth are they on this list you might ask? The reason is simple: pure musical perfection.

Adequate Seven were, surprisingly, a seven-piece band from Wales who released two albums and then faded into darkness.

While their first album: Songs of Innocence and Experience, may have made more impact, by the time 2006's Here on Earth was released the band had found their stride and put everything into it.

The diversity which came as a result is something almost unprecedented on a ska/punk record, showing elements of hardcore one minute and melodic duet the next.

Musically the arrangement is magnificent, with each instrument playing off the others as the Chili Peppers-esque lyrics dance over the top.

Slap bass has never been used so infectiously, particularly in recent years, and you can't help but get into the groove with this album as each song throws out a fresh hook to keep your attention.

The style is difficult to describe, and despite its similarities to early RHCP there is a lot more to offer here. Adequate Seven is a band which defines the term 'funk punk', an exquisite blend of the bouncing bass of jazz and the passion of punk.

The recording quality may not be top-of-the-line and the drums may come over a little quieter than they should in places, but all is forgiven when you immerse yourself in what the energetic septet (yes, I had to look it up) are trying to do.

Critical tracks: Foward Motion, Seven Mics for Seven Brothers, Gotta Stay Focused (re-record)

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Returning to more familiar territory with the next album, this release undoubtedly made nu-metal a household term. The genre may have broken free from the underground with Korn's Follow The Leader in 1998, but it wasn't until Linkin Park's Hybrid Theory was released that the world realised the genre had truely arrived.

Selling 24million copies worldwide since its release in 2000, the significance of this album is hard to ignore. Songs like Crawling and One Step Closer saw rap and metal collide in a way which the pop-listening public had never heard before.

The most significant part of that of course is that the public didn't like it, which may account for the genre's quick demise, but the most pop-friendly single: In The End, made it to #8 in the UK charts and took the top spot in the US Modern Rock chart, as well as #2 in the main US chart.

The band made significant use of the music video as a medium, putting time and effort into bringing the songs to life, often disturbingly so, and dealing with themes such as paranoia, violence, childhood abuse and isolation.

The video for Crawling was particularly powerful, depicting a child abused by her father, much as lead vocalist Chester Bennington was, and the blood pouring out of her as the video goes on until she appears fine by the end. The chilling beginning and ending sample of water (or what sounds like water...) going down a drain still has the power to make your hairs stand on end even today and encapsulates everything that the album is about.

The combination of Chester Bennington's distinctive screaming vocals with Mike Shinoda's rap creates a unique juxtaposition which gives the album it's unique sound. It's on fourth track Points of Authority that this comes across the most strongly, with Mike's vocals interwoven with Chester's pointed screams.

Critical tracks: Crawling, Papercut, In The End

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Continuing in the hardcore theme we come to the next entry, a little album called The Sufferer and the Witness by Chicago hardcore heavyweights Rise Against.

From the very album artwork your eyebrows immediately raise with this album, what do the patterns on the cover mean? Two figures? One the sufferer and one the witness? Like much art it's best to draw your own conclusions.

Their previous album Siren Song of the Counter Culture gave the band mainstream success, so now that pressure to succeed was lifted they were able to flex their musical muscles a little more on this album and produce something outstanding.

From the first few seconds of the album you know you are in for something special as a voice-over matter-of-factly announces: "This, is noise." From there the album keeps the accelerator down right until the end, tearing through every track, hardly pausing for breath.

Two songs where the album just take a break are the heart-felt Roadside and the depressing tale of loss: The Approaching Curve, which tells the story of a two people tearing each other apart as their relationships breaks down during a late night car journey, ending with the inevitability suggested in the title.

The album is full of memorable riffs, powerful choruses and overflowing with energy. Injection, which tells the story of a struggling drug addict battling his addiction, is a prime example of everything Rise Against is good at, and takes serious issues and combines them with the passion which only music can unlock.

The album also saw the first track to be launched into the mainstream on the back of the hugely successful Guitar Hero franchise, as Prayer of the Refugee began to tear up living rooms nationwide and introduce a whole new generation to the angered musical stylings of the band.

The album stands of one of the most complete and flawless of the decade, each track earning its right to be there and to such quality that it's impossible to skip a single one.

Critical tracks: Injection, Prayer of the Refugee, Under the Knife

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The fifth addition to our list comes from Leeds, a place well connected with good music thanks to its own counterpart to the legendary Reading Rock Festival, which began in 1999.

The Music, forever the enemy of the search engine, formed in the same year and released their self titled first album in 2002. Despite the album getting to number 4 in the charts, it missed out on snatching the title from its successor by not holding together as well as an album.

Welcome to the North, is one of the most complete 21st century albums you are likely to find. At just 11 tracks long the album takes listeners on a voyage in the only way modern hippies can. With 'love' and 'freedom' featuring heavily throughout it's not difficult to start feeling the flower power, albeit in a reserved and controlled way - very 21st century.

An effects laden guitar echoes expectantly as the albums' title track begins, from here is a sound which takes the slow pop rock ramblings of The Beatles and kicks them into gear. It may sound harsh to a band as epic as the fab four but when you compare the trudging beats of the 60s to the hard hitting tempo of the 00s from The Music, it's very difficult to ignore.

Every song has powerful bass grooves, drum beats riddled with hi-hat and multi-layered guitar, giving the music an almost hypnotic quality. Add to that Robert Harvey's simplistic but endearing lyrics, not to mention his mastery of manipulating nonsense words to create irritatingly catchy choruses, then you have something which is truly a sound to behold.

The album itself didn't do quite so well in the charts, with many hardcore fans criticising the newer, more reserved sound of The Music, but the band aren't really holding back, just are more focused on creating rounded complete songs, and succeed time and time again here.

Critical tracks: Freedom Fighters, Breakin', Welcome to the North

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So, that's the first five, five more still to come. Like my suggestions? Feel like sharing some of your own? You can leave a comment or two below, I don't pretend to know all the answers, and, as I said, this list of ten won't be the only important albums to come out of the decade.

Stay tuned for the next part of the list in the next few days...

Wednesday, 18 March 2009

Reading/Leeds Festival 2009 Line Up Predictions


I'm not generally one for idle speculation, but with the official announcement of the Reading/Leeds Festival Line Up only weeks away (March 30, 7pm), it's about time we all started getting excited about it.

There is, as ever, a knack to working it out/guessing/blagging/etc., but if you look at the Festivals' exciting history things start to become a little easier.

Now that the Download Festival '09 Line Up is out (Slipknot, Faith No More and Def Leppard - check the site for full details) we can say who WON'T be headlining Reading and Leeds.

Of course, you always get one or two bands (The Subways last year for example) who play both festivals, but the big names rarely go for more than one appearance.

Headliners

The most likely contenders seem to be Green Day, with a new album released in April and them having headlined in 2004 (just before the incredibly successful American Idiot), four years seems like enough time to wait for them to come around, and many fans will be disappointed if the Oakland boys don't make a return.

Radiohead also seem to be high up on the rumours list, and are due a new album later this year, at the Featured Artists Conference though, there was little hint of festival appearances this year from guitarist Ed O'Brian:
"We are working on new material, we'll be doing some more recording. It's business as usual."
The band last appeared at Reading in 1994, some 15 years ago, and the band have grown significantly in the public conciousness since then, and some would argue they have been superseded by Matt Bellamy's Muse (who have played numerous times and headlined in 2006), who frequently cites them as a strong influence.

Though there are numerous other names being thrown around, the next strongest contender seems to be Arctic Monkeys, who were second from top on the bill in 2006. The band had only released one album at the time, and managed to get so high in the lineup mostly on hype, not without some justification I might add, but this time they have more experience, more music and more fans, so it seems likely they will use the opportunity to show off material from album number three. Anything to avoid the amateurish utterings from the last festival: "Are you enjoying yourselves? We don't know!"

But what of the rumours that the headliners would all be American? You're thinking of 2008 (a mistake I also made recently).

Other Contenders

Rise Against, Anti-Flag and 36 Crazyfists have all confirmed that they will appear at the festival (the former two toured together in the UK recently).

Numerous other bands are expected to appear, either due to festival tradition or mutterings from the band:

Placebo - The band have played in 2000, 2003, 2004 and 2006, suggesting it's time for them to return with new album material.

The Offspring - After playing Download last year, the band will be fired up to play at Reading/Leeds, since their last outing was in 2004 as second from top on the main stage.

Franz Ferdinand - Headliners in 2006, the band have just released a new album and after a single appearance at Latitude Festival last year, the band will be eager to take on (collectively) the biggest festival site in the country.

Other possible bands

New Found Glory
The All-American Rejects
The Answer
Airbourne
Weezer
Maximo Park
Kaiser Chiefs
Lostprophets
The Charlatans
Alkaline Trio
Less Than Jake
The Living End

Of course there are many many many others, but I hope this has given you some sort of insight into what this years festivals might be like, bear in mind that this is all idle speculation and there is no official sourcing or confirmed information behind this, merely logic.

We only have a week or so to wait until we find out, make sure you're awake at 7pm on March 30, keep your eye on http://www.readingfestival.co.uk/

Friday, 5 December 2008

Looking past Christmas madness to 2009


Why is it that whenever Christmas time comes around people all go a little bit strange. Is it the mass consumption of alcoholic beverages? Or being forced to listen to your eccentric Uncle tell one more embarrassing story about your dad?

Whatever it is, it's premature. Screaming pop rockers Slade always insist their classic Merry Xmas Everybody! is played earlier and earlier every year, when really it's a song meant to be played as you unwrap your presents (or in this year's case, credit crunch friendly lumps of coal) on that blissful morning.

No doubt I am as guilty as the masses for writing this now, not even a week into December, but I think people can get too carried away, especially when there's work still to be done.

The sick days pile higher and you suddenly remember you've inexplicably forgotten presents for a cherished love one, quickly logging onto HMV and hoping they deliver before the big day.

Nowhere is the Christmas season more exaggerated than on the high street. Shops begin pushing their seasonal deals as early as the end of October, especially this year when the financial troubles are expected to take their toll, though it's not as bad as you might think.

The trouble with it is that it's so fleeting, with New Years signs going up on Christmas Eve, and Easter treats already out in shops, we never stand still to appreciate those precious, argument-filled days.

In many ways, why would we want to, there are an incredible number of things to look forward to in 2009, here's my top 10:

1) Graduating from University - as much fun as I've had, it's time to move on
2) X-men Origins: Wolverine - Hugh Jackman returns as Woverine in a film that explains how he became the animal we met in the first X-men
3) Terminator Salvation - Christian Bale re-energises the Terminator franchise with support from newcomer Sam Worthington, who's also set to star in sci-fi flick Avatar.
4) Bad Religion's new album - The vintage punk rockers return for more operatic choruses and political lyrics, American punk at its best.
5) Resident Evil 5 (Xbox) - After the colossal success of 4 and the ultimately enjoyable Umbrella Chronicles the action moves to Africa where we begin to learn where the T-virus came from
6) Valkyrie - Tom Cruise stars in a based-on-truth thriller detailing the plot to assassinate Hitler during World War Two directed by Usual Suspects supremo Bryan Singer.
7) Muse's new album - The best British rock band around, both live and on record, will return for an epic new album, hopefully with piano solos.
8) Public Enemies - Heat and Collateral director Michael Mann returns with a 1930s gangster piece starring Johnny Depp and Christian Bale.
9) Mass Effect 2 (Xbox) - The sage of Shepard continues with the sequel to one of my favourite RPGs of all time.
10) Green Day's new album - The California trio have a lot to prove after the colossal American Idiot, will they come back to their old sound to please fans, or sell out in a pit of pop/punk horror?

So there's mine, what about yours?